Archive | September, 2010

Review of Imagine by G & SM Productionz

30 Sep

Reviewed by J C Sum.

This is the first time I have seen G’s work and am impressed with the DVD – the routine, thinking as well as instruction.

The effect basically sees a spectator initial a folded double-sided blank card that is examined previously and holds it in his hand. A card is selected and magically when the spectator opens his hand, the signed card is now a fully printed playing card (on both sides) of his selection.

This is a great concept and has applications beyond just a “pick a card” trick. I have a few ideas that can build on this great effect. I can also see this as a final phase to a multiple card selection routine. The method may appear simple but it is very devious and works well in the context of this routine.

Without tipping any methods, G. teaches you different ways to accomplish the effect, all which require some degree of sleight of hand and misdirection. While not difficult, completely new magicians will not have the necessary performing experience to pull off the technique needed which is critical in the routine.

The production values of the DVD are very decent and the lighting is great. The performance segment of the video is shot with a single camera and without additional microphones. So, the audio is not fantastic but it is a real audience in a real environment.

Performed well, “Imagine” is a very strong effect. Highly recommended. 5 out of 5 stars.

Review of Mene Tekel Miracles by Nathan Kranzo

27 Sep

Reviewed by J C Sum.

This DVD focuses on a little-used gimmicked deck called the Mene Tekel by Friedrich Wilhelm Conradi who created it in 1896. Subsequently, Burling Hull made it popular but in the last 40 – 50 years, it has dropped out of fashion. In fact, when I first got into magic and read “Encyclopedia of Card Tricks” by Jean Hugard, I read about this deck but never saw it sold in any of the magic shops.

This DVD comes with the gimmicked decks necessary to perform a variety of mental and magic effects. You will learn different prediction effects, syncroncity, card locations and divinations. Among the routines that stood out for me were a handling of Tarbell’s Card Stab, a collection of “Impromptu Mene Tekel Effects” and a good “Card in Fly”. Incidentally, Mac King does his version in his highest rated magic show on the Las Vegas Strip.

The Mene Tekel allows you to perform routines that are not possible with traditional sleight of hand methods. For example, the different coloured back prediction effect where the prediction starts off in your front outer breast pocket is fairly simple but very strong. Amidst a repertoire of card sleight routines, ringing in this deck will allow you to perform miracles under test conditions.

My biggest gripe of this DVD is overly modest production values. Maybe I have been spoilt by excellent DVDs (Asi Wind’s DVD that comes with Switcher is the other end of the spectrum) but this is a really “cheap” production. It is mostly a single camera on tripd with no professional lighting or blocking with monitors. Basically, it is a guy filming himself with a handheld camera. The performance portions are also interspersed with amateur footage from a lecure where the audio is barely audible. I understand the purpose is to give to complement the deck which is the main product you are buying but I think it will enhance Nathan’s brand if he put up a higher quality DVD since he is a great magician.

That being said, the price is reasonable for the decks and DVD and is recommended if you are unfamiliar with this seldom seem tool!

2 out of 5 stars for production values. 4 out of 5 stars for content & material.

Review of Franz Harary’s Magic Planet & Enigma Tech

26 Sep

Reviewed by J C Sum.

This is an updated review that I first made in June 2010. I finished watching the DVDs sets that Franz produced late last year. Magic Planet is a series that he started work on in 2005. In fact, in his commentary in his Enigma Tech DVD, he mentions that Bangladesh was the first country that he worked on exclusively for the series.

Incidentally, this is when I also first met Franz and susbequently, I also appeared on the Bangladesh episode of Magic Planet performing my then-opening act and Rand Woodburry’s JAM illusion. That was ages ago and so much has changed since then! More recently, we were working with Franz on some illusions for the Singapore F1 and spent some time with him. I managed to spend a bit of time talking illusions, designs and the business.

Ning & myself with Franz

Franz sent me the Bangladesh episode, probably in late 2005 or early 2006. It was a great production and concept which he shared with me back in Bangladesh. So, I was interested to see the entire series.

First, I should say I’m a huge fan of Franz’s work and business mind. He shared a few things with me over breakfast that opened my eyes and I applied his pearls of wisdom to my own career with positive results. (Nothing magic-related but approaches that changed the way I handled my subsequent projects.) So, I watched the DVDs with a different set of eyes and mindset than the casual viewer or even any other magician.

Personally, I enjoyed the DVDs because I saw all the things he discussed with me and how they were actualized. A lot of things are very relevant to Ning & myself at this point in our careers. Other magicians would have different things that they would pick up on and apply to themselves, if any at all.

As an entertainment series, I thought the concept of the show went astray after the first 3 episodes. The overall concept of the show was basically Franz being sort of a travel host and exploring different countries/ cultures and showing his magic & illusion along the way. It is a decent concept, especially with wealth of content that Franz has, but the series does not really stay on course. I know and understand why because I was privy to the model behind the production of the show but to the casual viewer, they would not have this back knowledge or even care.

I also felt the production value was not consistent, at least not consistent enought for broadcast TV standards. But, it makes for an awesome DVD set!

Over the course of the series, you will see practically all of Franz’s stage show. In fact, you will see clips of many of the same illusions at times from different shows. Some may argue that the repetition is too high.

Ignoring the repetition of certain acts, you cannot but be entertained and educated on Franz’s various original illusions. He is one of the VERY few illusionists in the world who do 100% or close to 100% of their own illusions. Peter Marvey is another name who comes to mind whom Ning & I worked on the same TV show with in Jarkata last month. While I personally don’t like all their illusions but I admire and have the greatest respect for them for wanting to present only completely original illusions.

One thing you will see is just how huge many of Franz’s stage illusions are. Talk about not packing flat. His stuff plays big and packs big! And all his illusions are built from steel, unlike my choice of aluminum. Speaking with him, I know why he chooses steel. There are several practical reasons but I’ll let you find out for yourself what the biggest reason is, if you have the chance 😛

Street magicians and close-up workers will cringe everytime Franz hits the “streets” because there is only one close-up effect that Franz presents (Franz admits this in his Enigma Tech commentary as well) but it is shown way too many times IMHO. But I understand why the content is there.

You will see a lot of guest performers on this show from different countries, in both formal and informal performances. So, this will be a treat for magic enthusiasts of all genres.

You get a lot of material (6 DVDs worth of 2 episodes each) and if you are especially interested in stage illusions and mega illusions, you will enjoy this series. You can buy the DVD here.

As an illusionist and illusion designer, I thoroughly enjoyed the “Enigma Tech” 2-DVD set. I think it is easily worth 2 – 3 times the price. The real value of these two DVDs is the commentary that Franz recorded, much like a director does commentary for a movie. David Copperfield did a commentary for his “Illusions” DVD but his was more for the lay public who have an interest on behinds the scene info.

Franz’s commentary is definitely more geared to the magic enthusiast as his comments would only make sense to people who have basic magic/ illusion knowledge. Again, at this point in my career, I could read between the lines and appreciate with all that was going on in the DVDs. If I had watched this 4 – 5 years ago, I might not have found half the stuff relatable. This also means that the true target audience for Franz’s DVD is very very small 😛

In Vol 1, Franz basically repeats a lot of the stuff from Magic Planet. He admits this in the commentary and acknowledges it is a “conglomeration of different content” to form an unoffical 13th episode of Magic Planet. I watched the DVD with the commentary and he gives some backstory and basic philosophy behind some of his designs and productions.

Although the tagline of this DVD is “Behind the Scenes of a Mega-Illusion Spectacle”, I think that it is a stretch to call the finale illusion a mega-illusion. Franz has staged many TV mega illusions and is considered the modern day pioneer of such concepts. However, I think this one just does not match up to previous ones. This is the “mega illusion” in question:

Vol 2 was better for it was basically an entire live show performed in sequence as opposed to chopped up segmented edited performances. This allowed you to see how the show was produced and flowed. While his style of production and flow is very different from mine, I got to see another magic producer at work. You will once again see repeats of many illusions if you had watched the Magic Planet series. Any illusionist, new or experienced, will learn a lot from watching this alone. You may get ideas to see how you can improve your show production or avoid some elements which you think will not fit your style.

I did learn the truth of the origins of the name of one of his illusions, “Slicer”. This is one of his signature stage illusions and is also nicknamed “The Janet Box”. Urban legend was that it was named so because he created the illusion for a Janet Jackson tour. This is proven to be untrue as Franz, in his commentary, said it was named after a college mate called Janet. So that’s cleared up!

Franz’s intelligence and ability to remain current is demonstrated throughout his commentary. I have the greatest respect for this… although I can’t say the same for his hair… which has also evolved over time for the better 🙂

He performs a mouth coil routine with a kid and humourously commented that many times people talk about this act over all the grand illusions and special effects. I know exactly what he means. I perform a version of the Miser’s Dream and it too is an overwhelming crowd favourite after working our butts off with our illusions.

I often joke with my team that we spend hundreds of thousands of dollars on illusions to make this coin “trick” look good! Many assume that this is proof that the general audience prefers the smaller stage stuff than the illusions. This would seem like a fairly logical conclusion but I know that it is not the case and there is an even more compelling reason. I can’t share it here but I’m sure Franz knows why too.

If you are contemplating which Franz Harary DVD set to get, if you only want to get one, I would say get “Enigma Tech”.

But, if you are interested in stage magic, illusions, a touring show or thinking about producing magic content for TV, this set is a must-have!

“Ultimate Shells Review” for the “Three Shell Game” by J C Sum

22 Sep

This is a review of shells that are currently available on the market (as of this writing, Sep 2010). This review was originally supposed to be part of my “Close-up & Underground” lecture notes but after completing the review I felt it would be a waste if this resource was not available to everyone. So here it is!

As I have no commercial interest in any of the manufacturers, this is an impartial review of a variety of shells that I have personally owned and worked with since 1994. While I did not have a chance to review every single shell set on the market, I do cover the most popular shells available. The shells are all photographed under the same lighting conditions and camera so the colours can be seen in consistent relation to each other.

I have performed the “Three Shell Game” extensively for tradeshows, hospitality events and parlour-setting private parties. Currently, they are part of my “Close-up & Underground” show that is a formal close-up show.

The focus of this review is also only on walnut-type shells and does not cover other variants on shells such as thimbles, insect shells, matchboxes, mini cups and other “shells”.

I’m also not going to discuss specific routines. There are several resources available that will give you more than enough material to develop your own routine. My recommended (and also widely considered the best) resources include:

If you are fairly new to the shell game and are choosing just one resource, I would 100% go with the “Intro to the Shell Game Volume” 1 by Bob Sheets & Whit Haydn. It goes through all of the basic techniques needed to perform virtually any routine.

If you can afford one more DVD, you can’t go wrong with “The Scoundrels Touch Volume 2” by Sheets, Anton & Haydn. This video explores more advanced techniques and strategies that will bring your shell game to the next level. The two volumes together are the most comprehensive instruction on a wide variety of techniques, handlings, moves, strategies, routines and sequences.

“Golden Shells” is an extremely commercial routine with excellent sequences and a killer finish. It is hailed by many magicians as a must-have reference.

Phil Cass’s video is a lesson in presenting the routine as a psychological game with the audience. Having watched this performed live, I can attest that the routine is a presentational masterpiece and a lesson in engaging the audience even if you do not intend to perform the shell game as a psychological challenge.

“Super Shells” is possibly the original routine that inspired many of the routines in the above videos. It is a completely commercial routine with a powerful ending.

You can read more resources here http://www.threeshellgame.com/resources.htm

For history buffs, check out http://www.threeshellgame.com/allure.htm

One final note, the shells are only half of what makes a good set of props for the “Three Shell Game”. You also need a good pea to go along with the shells.

The unanimous current standard for the pea to use is the “Perfect Pea” manufactured by School for Scoundrels. It is available in traditional green, red or white and also comes with most professional-grade shells. Regardless of shells you buy, use the Perfect Pea with them.

Now, onto the “Ultimate Shells Review”!

“Real Walnuts”

I worked with real walnut shells for 8 years and they finally gave out on me and cracked. I’ve now got them glued up and retired. My first set (also my first ever set of shells) was made by Davenports, England, and were the smallest shells I have worked with since but they did the job admirably.

Davenports “3 Shell Game” Shells varnished finish

I highly recommend them as a first set of shells and also encourage you to make up your own shells if you can find walnuts (dependent on location and season). You will need some tools, time and patience to make your own set but if you are handy, it is a fun project to embark on. I recently had our illusion workshop churn out a limited number of sets that look beautiful.

My own set “natural” finish

The drawbacks of real walnut shells are that they are fragile (although mine lasted 8 years with a modest amount of care) and fairly lightweight. The issue with lightweight shells (and the weight issue applies to all shells) is that they may accidentally flip over if accidentally hit or if they accidentally stick to your fingers as you move your hands away from them. If you do a sequence with a shot glass, a light shell might flip over when moved under the glass.

However, real walnuts no doubt look real (duh!) and are fairly inexpensive for a good-looking set of shells.

Naturally, the specifications of the walnuts depend on the type of walnut you use. The average specs for my real shells are:

Overall size rating – Small to Medium (Depending on the walnuts you use)

The Davenport set’s specifications are:

Length – 3.72cm
Width – 3.28cm
Height – 1.6cm
Weight – 3g

Price: N/A

My own set:

Length – 4.5cm
Width – 3.51cm
Height – 1.72cm
Weight – 3g

Price: N/A

“Three Shell Game” by Vernet

These are entry-level shells made of plastic and look exactly like what you would expect from plastic shells. They have a high profile design (tall) and are fairly large. While they are very lightweight, they do not flip over easily due to the high profile, so that is good.

Vernet Plastic Shells

The biggest issue is the quality and finishing of this set of shells. The bottom edges are extremely rough and unfinished. You will need to sand them down before even using them. Once that is done, they are fully functional but feel a bit too toy-magic-set-like.

This is a great set if you want to “muck’ around to see if the shell game is for you as they are very inexpensive. If you do buy this set, I suggest you buy the “Perfect Pea” to replace the pea that comes with them.

Overall size rating – Large 

Dimensions of the shells: 

Length – 5.17cm
Width – 3.64cm
Height – 2.13cm
Weight – 2g 

Price: US$7.00

 “Street Shells” by School of Scoundrels

These are very popular shells with many magicians because they are very well made and while not considered cheap, are mid-level market priced shells.

School for Scoundrels’ “Street Shells”

They are very realistic-looking low profile (short) shells that incorporate the Chanin Dip design that facilitates the movement of the pea on hard surfaces. Essentially, the Chanin Dip is a gentle convex curve of the bottom of the shells that tapers up slightly at the front and back of the shells, like a rocking horse. When you press down on the front of the shells and move them forward, the back of the shells raise up slightly.

There is a debate on the necessity of the Chanin Dip and its effect on the handling of the shells. Personally, I do not think the Dip is necessary and is not a deal breaker for me when choosing shells.

This is a very well made set of shells cast from resin and should last a lifetime. Personally, I find these shells a bit too lightweight for my liking and because of their low profile tend to flip over with a shot glass move. I also find the colour a bit too light but that is a subjective opinion of personal taste.

Many magicians like the size of these shells and find them easy to use, especially if you do not have very large hands. In fact, these are Ning’s favourite shells to.

Overall size rating – Medium (leaning towards Small)

Dimensions of the shells:

Length – 4.55cm
Width  – 3.26cm
Height – 1.63cm
Weight – 5g

Price: US$45.00

“Superior Walnut Shells” by Black Fox

I think Black Fox’s walnut shells are very underrated shells. If you like a larger, high profile shell, as compared to the low profile “Street Shells”, you will love this set. The shells are heavier and have a dirty stained colour/ finish that is very accurate in my opinion. They look very realistic, more so than the “Street Shells” and they are also slightly cheaper than the “Street Shells”.

Black Fox “Superior Walnut Shells”

The shells are made of a “hybrid plastic” and are very sturdy and durable. The peas supplied with these shells are also very good, as good as the “Perfect Pea”. As a great bonus, you will also receive a sucker “plug” shell that you can ring in for a kicker finale. Essentially, this is a completely filled-out solid shell. (I understand that the first to offer the sucker “plug” shell was Absolutely Magic who offered them with their La Maggiore “Solid Shell Set” reviewed later)

I think this is extremely good value for money and highly recommend this set if you can handle larger shells.

Overall size rating – Large (leaning towards Medium)

Dimensions of the shells:

Length – 5.71cm
Width – 3.98cm
Height – 2.13cm
Weight – 12g

Price: US$40.00

“Jack Chanin Tribute Shells” by Black Fox for School for Scoundrels

As mentioned above, I feel the Black Fox shells are underrated and this set is really beautiful. It is also the largest set of shells I have come across based on height and length. I particularly like the rich dark realistic texture of these large shells.

There are the shells I personally use now because ergonomically, they fit me the best, based on the grip I use, the moves I perform and the sequences in my routine. Even though the shells are really big, I can perform my one-handed sequence without issues. While the sides of the shells are a little slippery, the high profile design allows you to maintain a good grip on the shells.

“Jack Chanin Tribute Shells” by Black Fox

There is an argument that bigger shells dwarf the size of the pea and one should use smaller shells to emphasize the star of the routine, the pea. Honestly, I disagree with that on the basis that the overall absolute size of the shells and pea are so small that a bigger shell in no way pulls focus away from the pea.

If the shells were the size of “Cups & Balls” cups, I would agree that the small pea will be lost, but a marginal increment in size will not pull focus from the pea but in fact make the routine play bigger… so the bigger the shells, the better. But then again, I’m an illusionist so nothing is ever too big!

These shells fit my idiosyncratic needs perfectly although I’m sure a fair share of people will find these shells a bit too large to handle. While my hands are not very large (just large enough fully palm a poker-sized card in classic full palm) and I can handle these shells comfortably.

If you intend to use a shot glass finale with this set, you will unlikely be able to find a shot glass that fits it. You will have to hunt around for an odd shaped glass to fit the shells. The glass must fit snugly over the shell otherwise two problems might arise when you to the load-into shell under glass move. One, the shell will flip if it is too small and light. Two, the pea will go under the glass but not under the shell. For my set, I use a small dip or sauce bowl that just fits over the shells.

The Black Fox “Master Shells” are the same shape and size as this set except the colour and finish are different. They are closer in colour and finish to the “Superior Walnut Shells”.

Overall size rating – Large

Dimensions of the shells:

Length – 5.71cm
Width – 3.98cm
Height – 2.13cm
Weight – 13g 

Price: US$65.00

“Copper Shells (Antique finish)” by School of Scoundrels

These use the same mold as the Street Shells” but are cast in heavy pewter and plated in copper. They are also low profile shells and incorporate the Chanin Dip design. They look beautiful and have a great weight i.e. these are hefty shells.

Copper Shells (Antique Finish) by School for Scoundrels

However, the heavy weight and material also make it almost impossible to do certain moves. For example, I perform a one-handed sequence in which the shells are gripped between my fingers (ala Multiplying Balls) but the shells always slip because of the weight and smooth surface of the copper shells. This is the only reason I’m not using these shells in my show.

The cousins to this set are the Golden Shells (US$100), Colorado Silver Shells (US$450) and Brass Shells (US$250), all manufactured by School for Scoundrels. I do not own these shells so cannot accurately comment on them although I suspect they will be similar in feel to the Copper Shells but heavier in weight.

These shells have my highest recommendation if you have the budget to spend on shells that look great and are heavy in weight but only if you do not intend to do any one-handed sequences.

Overall size rating – Medium (leaning towards Small)

Dimensions of the shells: 

Length – 4.34cm
Width  – 3.00cm
Height – 1.5cm
Weight – 50g

Price: US$70.00

“La Maggiore” Shells by Absolutely Magic 

These are big shells but not as large as the “Jack Chanin Tribute Shells”. They are shorter in length and height, although wider. The shells are made with a virtually indestructible “high impact resin” and have a decent weight. They are also the most expensive resin shells on the market.

“La Maggiore” Shells by Absolutely Magic 

The colour is darker than the “Street Shells” and in my opinion look more like regular walnuts. In fact, it is closest in colour to the type of real walnuts I have than any of the other shells. However, I do have to say that the colour and shape do not look like how they are pictured in the website and marketing copy, at least on all the computers that I viewed the photos from.

The shape of these shells is rounder than all other shells. This does make it harder to see which is the front & back (I often got them back to front during performance) and some may prefer a more traditional tapered-look set of shells. However, if you use a shot glass (or sake glass which is wider and fits perfectly), these fit perfect within the mouth of the glass and are impossible to flip over due to the shape.

These are the shells I used before switching to my current ones because they are big but I can perform all my moves and sequence without issues. I do have to stretch a bit for the one-handed sequence but the sides are textured and have a great grip.

I should highlight that there are two versions of these shells, a “classic” and “natural” version. The “classic” version has a perfectly smooth finish on the underside of the shells that looks a bit unnatural. However, the “natural” version has the underside of the shells in a more textured natural finish. Most dealers stock only the “classic” version and  the “natural” version is currently a limited edition that must be bought direct from the manufacturer.

Absolutely Magic also offers a “Solid Shell Set” for both the “classic” and “natural” versions that includes a sucker solid plug shell, a feature that they originated for the shell game.

Overall size rating – Large

Dimensions of the shells:

Length – 5cm
Width – 4.2cm
Height – 2.06cm
Weight – 13g 

Price: US$75.00 with a lifetime warranty

“Trade Show” Shells by School of Scoundrels

I included these shells for the sake of completeness although they do not fall under the category of the regular shells.

Due to the sheer size of these shells, the handling is completely different from the regular-sized shells. The necessary peas are included with the shells but I did not find them adequate and they do not last regular use. You might have to source for a better pea yourself.

The paintwork of the shells also is a bit “off”. The colour does not look very walnut-shell like. It is far to beige with a pinkish hue so the shells look like, in Ning’s words, “human brains”. I actually repainted my shells with a combination of acrylic paints using two painting techniques and finally had them professionally lacquered with a high gloss lacquer by a craftsman. You can see the differences below:

“Trade Show” Shells by School for Scoundrels
(The original shell is the one on the right front)

For the high price (US$495), buyers might justifiably expect a better product. While I understand the cost of production must be high for a low quantity of these super-sized shells, I wish the colours were more accurate and less “brain-like”.

While I think most will not feel this set is worth it, I use these shells professionally and I have a finale phase in my regular shell routine that brings the whole game to another level. I will not tip my routine here but it is shared in the lecture of my “Close-up & Underground Magic Show”.

Overall size rating – Gigantic

Dimensions of the shells:

Length – 20.8cm
Width – 15.5cm
Height – 8.02cm
Weight – 400g

Price: US$495.00

An alternative to the “Trade Show” shells is to use real coconut shells (the round type). They are smaller than the “Trade Show” shells but will be cheaper if you can find them. You will need to put in some work to shape and smoothen them out but it will save you a few hundred dollars.

Coconut Shells

Here are some considerations when choosing which shells are best for you and may help you decide how much you are willing to spend on a set of shells:

Personal Philosophy for the “Three Shell Game”

My personal approach to close-up has always been to play big. Even when I did strolling magic, I never performed to small groups of people but always did mini-shows by drawing large groups of people (15 –20) together. So, I generally believe that big is better for props and performers should always try to use the biggest props they can handle; like the biggest coins for a “Coins Across” or the largest balls for “Multiplying Balls”.

With that personal philosophy in mind, I designed my shell routine to play as big as possible with a commercial entertaining presentation. That is the reason I use the “Jack Chanin Tribute Shells” (largest shells available) as well as the giant “Trade Show” shells in the routine, along with poker chips, a glass and a leather cover that fits over the glass.

Personally, my routine was designed for formal work, behind a table on a close-up mat. So, my current set of shells and additional props work well for that. I also work out of a case for the show so do not have space limitations.

My personal set of props for the “Three Shell Game”

Your personal philosophy will determine what you are looking for in a set of shells. For example, if you feel the shell game should be presented as an authentic con game, you might only want to use shells that look like the real thing. You might feel that the metal shells or the “Trade Show” shells look too “prop-py” or “showy”.

If you feel the routine should be presented as a light hearted comedy piece with lots of interaction, you may even want to look for shells that look distinctively “unnatural” or even choose one of the novelty shells (such as Black Fox’s “Scarab Beetle Shells”) and use a bright red pea instead of a green one.

Where You Intend to Perform the “Three Shell Game”

Your performing venue and your primary audience will determine what shells will best fit you.

If you are a distinguished corporate entertainer working hospitality suites who wishes to present the shell game as psychological challenge ala Phil Cass, the metal shells might fit your style and image better.

If you are a street busker who wants to use the game to draw and stop a crowd, you may not care what your shells look or feel like, as long as they do the job.

If you primarily perform strolling magic and intend to perform the shells on a variety of table surfaces, you will want smaller shells that can fit in your pocket and can work well on a hard surface.

If you are an amateur magician and intend to perform the routine for friends and family in your home or private gatherings, you might want a set of shells that fit your personal image, style or even home furnishings. Also, unlike a professional performer who can recoup his investment in the shells from performing it in shows, an amateur is basically making a purchase; so this might factor into your budget

Physical Attributes of your Hands

This is a purely practical issue as the size of your hands, flexibility and whether you have sweaty palms/ hands will all affect what shells work best for you.

If you have large hands and sweaty palms, the heavy, more slippery metal shells may be difficult for you to handle. If you have smaller hands, the bigger shells might not be as comfortable to handle.

The Moves & Sequences You Want to Perform

Watch different routines or buy the resources recommended to see what type of routine, moves and sequences appeal to you. Different moves work better with different shells. For example, if you are using a shot glass, a light shell has the danger of flipping over.

As mentioned, while I love the look and weight of the Copper Shells, I do not use them because I cannot perform a particular one-handed sequence and was not willing to cut out that sequence for the sake of the shells.

So, figuring out what moves and sequences you intend to perform can help you decide what shells to buy, although I also know it is many times a chicken or egg situation. You might not be able to determine what moves you would like to do without physically having the shells in hand.

Final Overview

If you are looking to start learning the “Three Shell Game”, I recommend you start with real walnut shells. They will last long enough for you to determine if this routine is for you.

After you have developed an audience-tested routine that works for you, you can consider investing in a more expensive set of shells. This will also allow you to determine what size shells you think works best for you.

If you are willing to spend some money on a mid-level set of shells, I recommend the “Street Shells” or “Superior Walnut Shells” depending on what size/ design shells you think would work best for you; “Street Shells” if you prefer smaller, low profile shells and the “Superior Walnut Shells” if you prefer larger, higher and heavier shells.

My recommendation is to go down to your favorite magic shop or visit a friend who might have a collection of different shells and experiment with what feels good for you. This will save you some money in trail & error purchases.

Happy shell shopping!

If you would like to add to this review on shells that I have missed out, please email me at jcsum@conceptmagic.biz

Review of Innovative Card Magic by Mariano Goñi

16 Sep

Reviewed by: Bernard Sim

If you have seen Mariano Goñi’s Melting point, you would know that he is a creative magician. This DVD is divided into 2 sections. The first section features 5 routines and the other sections features 6 moves and quick effects.

Let me tell you, I am very impressed with this DVD. The title for this DVD “Innovative card Magic” indeed described this DVD truly. The moves and routines are fresh and they look really good. Some of the routines are variations of other routines but they are very nice variations.

I like everything in this DVD except for Harmony Stone; it requires a full deck set-up and the first half of the routine is quite weak. Having said that, there are some clever methods used in this routine. It is not a bad routine, just that I don’t quite like this as compared to other routines in the DVD.

Raikiri Shoot looks really cool. After watching the all the routines in the performance segment, I immediately went to the Raikiri Shoot’s explanation. I should have known how it was done but I didn’t as the way Mariano performed looks impossible. This is not difficult to do but you need to prepare the gimmick which you may already have.

The Hurricane is another very cool stunt you can do with a single card. The card spins fast and long.

The Eagle is a very cool way to learn the identity of a stopped card without looking at the face of the deck. The deck is not marked and can even be borrowed. The gimmick needed is included in this DVD.

As for the rest of the routines, they are worth learning even though some of them are variations of other routines. These are strong and powerful routines. Highly recommended. Rating 4.5/5.

Review of Joe Monti’s Original Thumb Tie

15 Sep

Reviewed by J C Sum.

Joe Monti is a working comedy magic pro and also consulted for Criss Angel’s Mindfreak. Fairly recently, he released his stand-up version of a 3 Card Monte routine and now he is releasing his original thumb tie.

This is his version of the classic thumb tieusing plastic zip-ties or cable ties. Magicians and escape artists have been using different items for the thumb tie for years including; twist-wires, rope, twine, electric tape and rubberbands. While I have heard of the cable tie thumb tie before this release, I have no doubt Joe independently came up with this.

The DVD is extensive yet is well-paced with little padding. Joe explains his full routine, bits or business, the process of picking the audience, the actual thumb tie and exact details to make the routine entertaining. Joe is very clear in his explanations and uses footage from live performances to detail different parts of the routine. Everything you need to know to present a thumb tie with zip ties can be found here.

There is a slight issue with the audio for one part of the DVD. At one point, the audio goes from stereo to mono so if you are not hooked up to two speakers, you will lose the sound. A minor production issue.

On the cover, the copy says “designed to replace any straight jacket routine”. I will be tempted to agree if you have a very strong personality, good audience control and a moderately captive audience. This routine is a talking routine while a straight jacket can be presented as both. For example, if you are performing at a rock festival with the audience sprawled out in a large location, I personally think a straight jacket routine performed to music will be a better choice than this routine. This does not detract from the strength of Joe’s routine but think this particular claim can be disputed 🙂

5 out of 5 stars.

Review of Twisted Blizzard (DVD and Deck) by Aaron Delong and JB magic

12 Sep

Reviewed by: Bernard Sim

When I first saw the gimmicked deck it was exactly what I guess it would be. The Twisted Blizzard routine is fun and easy to perform and it even ends with a kicker. The deck is in bicycle stock and the quality is very good. DVD clearly explains everything you need to perform this effect. There is totally no sleight of hand involved although sometimes you have to be aware of the orientation of the cards.

I like the main routine “Twisted Blizzard” but I think the bonus effect “White Trash” is even better. In fact, I think the bonus routine should be the selling point for this effect and twisted Blizzard should be the bonus. Yes, it’s that good! I have always like “Out of this world effect” and White Trash is a very good version of OOTW.I’ m sure those creative magicians will be able to come out with more ideas using this deck. You may need to have good audience management when performing this using this deck as they cannot be examined. Other than this, I highly recommend it. Rating 4/5.

 

Review of Mash Pack by Garrett Thomas

11 Sep

Reviewed by: Bernard Sim

I always like Garrett Thomas’s work, especially his coin work. When I first saw this trailer, I was fooled. It looks really good in that demo.

After I got my hands on the real thing, I was smiling to myself about how ingenious this gimmick is. There are many versions of this effect in the market and all of them require a gimmick and you will need to ditch that gimmick if you want to continue using the deck for other effects. For Thomas’s version, the deck itself is gimmick and it is very well made. You can show the deck casually by spreading after the card box has been transformed into a deck. You can probably continue to use the deck without the need to switch it, but I think the number of routines using that deck will be limited.  The DVD showed Garrett Thomas performing this to a group and the reaction from this group is rather tepid. I don’t know if it’s due to the personality of this group or Thomas’ performance. Anyway, this is not important.

Besides the main effect, there are other effects which are also taught in the DVD. You will not be getting just 1 gimmick deck but 2 different gimmick decks. I will not disclose the actual deck used for the card box to deck effect. The other accompanying deck is a deck that has the design of the card box printed on the back of the playing cards, the box for this deck is also specially printed. You will be able to use this deck for other routines as well.

So for a MSRP of US$40, you will be getting 2 well produced decks as well as a DVD. I’d probably not use this if I were to do a card box to deck effect, there are other version which I think is more appropriate. But then again there will be tradeoffs if you were to use other version as compared to this. The plus point for Garrett Thomas’s version is that you will be getting 2 decks and these decks can be used for other effects. Rating 3.5/5

Review of “Vortex” by Tom Stone

10 Sep

Reviewed by J C Sum.

I was first introduced to Tom Stone’s work through his various ebooks by Shaun Ashley See. He demonstrated tremendous thinking of classic material with many new innovations in handling, techniques and utilizing misdirection and movement. Basically, awesome work all around! Then I watched some videos on YouTube followed by his “Caught on Tape” DVD. Ning calls him another Tommy Wonder which is not too far off from the truth.

This tome essentially features a whole bunch of material from Tom Stone. It is nothing short of great. Quite a few of the routines are featured on “Caught on Tape” so I would advise you to hunt that DVD down too. But being a huge supporter of learning from books, this is fully adequate as well. I would compare this book to Tommy Wonder’s Book of Wonders.

Some of the standout routines are:

 ”A Toast for Charon” is a fantastic opening act that features coin productions, cloth & pence sequencek, vanish and surpise production for an amazing routine. You will need solid chops and excellent communication (misdirection) techniques to perform this as well as Tom.

“Ambivalent Travellers” is the best version of Jennings’ Travellers plot. It also makes it a doable routine for most competent sleight of hand magicians.

“Champagne” & “Princess Salome’s Drink” are awesome routines for the close-up magician who works cocktail parties, pubs or restaurants. Really great lessons in misdirection and focusing an audience’s attention.

“Gold Wielder” is his Linking finger rings routines. I have researched this routine for a long time and while it does have its merits, I felt it looked a tad contrived in performance. I think Jim Steinmeyer has an excellent routine in “Technique & Understanding”.

He also has an entire collection of handlings, inovative solutions and creative methods for many classic plots in magic such as his devious ways of stealing loads. He ends the book with several essays on his thoughts and theories on magic.

Highest recommendation for the serious close-up magician. We have 3 copies among our team alone. Buy this book before it sells out! 5 out of 5 stars.

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Review of Flightcase by Peter Eggink

10 Sep

Reviewed by J C Sum.

I have two minor peeves that I should just rant out fo the way first. First, the menu was too small and hard to read. Secondly, the opening intro was not filmed with a clip-on mike with a direct feed into the camera or a digital recorder. If it was, the levels were way too low. As a result, a lot of background ambient noise was picked up and it was difficult to hear what was Peter was saying.

During the first performance of the routine to the camera

Performance video, the camera was moving way too much and out of frame and did not give an accurate/ or clear view of the performance. However, the instructions and subsequent demonstrations are more than enough to give you a clear idea of the presentation and handling of the illusion.

You receive the special card box that comes flat with the DVD (for shipping purposes). The gimmick is very discrete and I actually played around with the card box for a full couple of minutes before I found the gimmick. One reason is I had no idea what I was looking for but I knew what the plot was, yet could not see anything amiss. At first, I thought it was just a regular card box.

The choreography of actions needed to load and reveal the card in box is excellent and I think it is the cleanest signed card in box that I know of. Everything can be examined at the end and if performed correctly, the effect will look exactly like what is touted.

In addition to the basic routine, Peter gives two additional bonus routines. One that I really like was the card under case routine. It is very clean and is done with the card case on the spectator’s open hand. It is very strong! If you do a card under case type routine or card on case (ala Steve Bedwell), this would work perfectly.

Production values of the DVD are not top notch but instruction is very clear and the idea/ method is brilliant. As mentioned in my review of Consignment, a signed card to envelope, I received both these items for review at the same time so naturally made comparisons. While both basic plot premises are the same, the methods and choreography of actions are completely different.

I like this and think it is very practical and usable for any type of close-up work, professional or casual. It is slightly more expensive than “Consignment” but I think the actions of loading are much more natural and the time of the loading puts you way ahead of the reveal.

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